Sorry today’s comic was so late. I kind of had a bad day Tuesday and by the time it came to putting together today’s comic, I had a headache, was kind of dispirited and not into it.
You’d think since I’m not working full time now that I would be more available to work on comics or watch movies, but I don’t do either of those things.
I apply for jobs, I’ve been on a few interviews and the rest of the time I spend either cleaning the house or waiting for someone to send me an e-mail with a job offer.
I don’t mean to bum you guys out or burden you with my problems. Like I said, I had a bad day yesterday. That doesn’t mean today is going to be a bad day. In fact, sometimes, you need a bad day before you can have a good day.
Let’s talk about the comic, shall we?
We talked about Bruno a little bit on Monday’s episode of The Triple Feature (which, by the way, was PACKED with listeners during the live show – thanks everybody!) I addressed my concerns about Sacha Baron Cohen using “GOTCHA!” tactics to get unwilling participants to expose their homophobia. Joe and Gordon thought I was making a big deal about nothing and that homophobes SHOULD be made fun of whether their wear their bias on their sleeve or not.
On the one hand I agree with them. But on the other, I look at a character like Bruno who provokes and provokes and provokes with outrageous behavior until Sacha Baron Cohen gets the results he wants. Then, when people throw up their arms in disgust or frustration, points at them and says, “See! See! These backwoods hicks aren’t tolerant!”
People are entitled to their opinion – however wrong it may be. But I feel like if you’re going to ridicule them for it, they should at least be on a level playing field. I mean, what’s entertaining about watching someone like Cohen shoot fish in a barrel?
I don’t interpret a character like Bruno as tool of social satire. I don’t think Cohen is using him to expose homophobes in a way that makes their fear or intolerance unjustifiable. To these people, Bruno is the embodiment of those fears. Bruno is a gross caricature of the worst stereotypical traits of gay man.
If I were gay, I would hate to think that I could be so humorless that I couldn’t appreciate Bruno making fun of gay/fashion “culture.” But at the same time, considering the social struggle of homosexuals in America, I don’t think you can look at a character like Bruno and say “This is advancing our cause.”
To put it another way, what if you had Jerry Lewis running around in blackface during the Civil Rights era making fun of racist Southerns. Do you think it would help or hurt?
Fundamentally, I think Sacha Baron Cohen is an intelligent, committed and utterly fearless performer. The fact that he attracts this kind of controversy through comedy and sets the stage for this kind of introspection is proof that he’s doing something right.
But at the same time, I get this vibe off him that he thinks everything is ridiculous and everyone is stupid and it makes it kind of hard for me to respect the guy. For that reason, I’m not especially looking forward to seeing Bruno.
Will I still see Bruno? Of course. If for no other reason than because, invariably, the film will be treated like a cultural event. It’s the ultimate in water cooler conversation (except I don’t have a water cooler to hang around these days).
Gordon accused me of only wanting to see the film so I could discuss it through Theater Hopper. He’s not wrong. A certain amount of this is homework. But I think, too, when you walk in with lowered expectations, there is the opportunity for walking out of the movie surprised.
What about the rest of you? Do you think Cohen will be able to catch you off-guard with Bruno as well as he did with Borat? How long can Cohen’s shock tactics last? How do you feel about generating comedy from awkward or provocative social situations? Are Cohen’s films effective social satire or a 2 hour version of Candid Camera? Leave your comments below!
I posted the red band trailer for Funny People on Wednesday and informally polled people if they were interested in seeing more of the promotional communication sent my way by the studios. I’ve been reluctant to post them partially because of the time commitment but largely because I assumed you guys were getting this information elsewhere.
I was surprised by how many of you said that Theater Hopper was the only site you go to for movie news. Which is… really flattering. Actually, it makes me feel like I’ve been lying down on the job!
So, until people tell me otherwise, I’m going to keep floating stuff your way. And, at the risk of looking like a complete hypocrite, here’s some stuff for Bruno. Which, as you know, is in theaters today, Friday, July 10.
Fandango Free Ringtone Ticketing Promotion Page
Buy tickets in advance for BRÜNO and choose one of three FREE exclusive ringtones! To get your tickets, check out http://www.fandango.com/promo/bruno!
Live The Life of Brüno!
Want to know what it’s like to be Brüno and get plugged in to the latest and greatest in entertainment, fashion, and celebrity? Then you need to be at the 2010 NewNowNext Awards! Enter now, and you and a friend will have a chance to win your very own tickets to next year’s show! http://www.logoonline.com/sweepstakes/bruno/
You could win:
- A trip for two to New York City to attend the 2010 NewNowNext Awards
- Two nights accommodations at a boutique hotel
- VIP tickets to the event
- Red carpet access and the opportunity to speak with presenters, nominees and guests
- A chance to write a blog post for NewNowNext.com about your red carpet experience
Brüno Playlist
Do you want to know about Brüno’s favorite singers? Or better yet, do you want to hear Brüno sing? Then check out his personal Playlist page and listen to artists like George Michael and tune in to Brüno’s awesome new hit, “In Oder Aus!” http://www.playlist.com/brunomovie
Enjoy!
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I wasn’t planning on doing another comic about Bruno, but it was very interesting to read the comments from Wednesday’s comic. So I decided to ride this wave a little longer. Victor was the perfect character to provide an outsider’s perspective and deflate the situation some.
Generally, people seem conflicted about the characters Sacha Baron Cohen creates. I think everyone can see what he’s trying to accomplish in terms of social satire, but there is something about the persistence of his performances that makes people a little uneasy. Are people having a homophobic reaction to Bruno or are they just reaching a boiling point when confronted with a highly abrasive personality? Cohen doesn’t make that distinction, but he leads people to believe it’s homophobia at work.
In a pro-Bruno piece by Slate’s David Lim, Lim addresses the criticism that Cohen has been “indulging in gay minstrelsy” and suggests that the character is “a button-pushing social experiment in locating the tipping point of tolerance.”
“For his merciless ambushes to work,” Lim continues. “Bruno needs to be this flamboyant — and this moronic.
“The most discomfiting — and incongruous — aspect of Bruno’s pinkface masquerade is the character’s over-the-top sexual voracity… Bruno is a far cry from the prim and prissy old-school sissies, who were all innuendo and no libido. We have long been conditioned to regard effeminacy as a neutered, negative stereotype, but there are moments when Baron Cohen’s extravagant prancing… seems not grotesque but defiant, forcing his foils… to recognize the screaming presence of Otherness.”
Personally, I don’t know if I buy into this kind of analysis. Because the depiction of a sexually voracious homosexual is EXACTLY what some people fear most. In my opinion, it sounds like Cohen is trading in the winking, coy, guffawing Paul Lynde effeminate stereotype for another.
Granted, I could be accused of playing into the sexually voracious homosexual with the way I’ve written Victor. At times I’ve depicted him as a sadomasochist. But at the same time, this is in keeping with the authoritarian nature he projects – established early in the character before it was revealed he was gay. By equal measure, I have depicted Victor as lovelorn and pining from a distance.
I like to think that I am writing more than one facet of Victor’s personality with the limited amount of time that I use him. I don’t think Victor is a walking cliche like Bruno is and I think there is an interesting dichotomy between his strength, his heritage and his sexual orientation – all of which were effectively wrapped up in this one comic.
Cohen is almost a method actor in the sense that he often doesn’t drop character even while promoting the movie. I don’t think I saw him in an interview as himself once while promoting Borat. A few weeks ago he showed up as Bruno on The Tonight Show with Conan O’Brien. But recently (and conspicuously) showed up as himself on Late Night with David Letterman.
What I’m getting at is maybe there is a little too much slight of hand or misdirection in Cohen’s satire and I kind of prefer to be in on the joke a little bit more.
Fundamentally, I think it goes back to the humor of embarrassment, which I have never been a big fan of. Whether Cohen is playing a gay Austrian fashion reporter or a socially clueless representative of Kazakhstan, I have difficulty settling in and enjoying the end result because I can’t laugh at people put in those situations. I can only wince.